‘PUBLIC IMAGE’ 24.10.2014 - 2.11.2014
Wednesday to Sunday 1pm to 6pm
Private View: Thursday 23 October, 6pm to 8pm
PUBLIC IMAGE is a collection of new work by Jamie Hosegood marking the culmination of his time as the inaugural recipient of the year-long Helen Scott Lidgett Studio Award, part of Acme Studios' Residency & Awards Programme.
The exhibition presents a selection of Hosegood’s paintings in which he explores the medium's ongoing theoretical relationship with the photograph as source and subject.
The Helen Scott Lidgett Studio Award forms part of Acme Studios’ Residency & Awards Programme and Central Saint Martins’ new initiatives to support their Fine Art graduates. This award aims to provide a bridge between art school and practice as a professional artist by awarding a recent MA graduate a rent-free studio for 12 months together with a bursary of £5,000, and the opportunity to access curators, other professional artists and networking opportunities. The award also provides mentoring by members of the Helen Scott Lidgett committee, to the selected graduate, and all those who apply.
This award – a partnership initiative between Acme Studios and Central Saint Martins – is jointly funded for the next three years by Acme and the Helen Scott Lidgett Fund.
Acme Project Space
44 Bonner Road
T 020 8981 6811
F 020 8983 0567
Acme Project Space is located in the heart of East London's gallery district, around the corner from The Approach and a short walk from Vyner Street. The venue is well served by public transport:
- Underground - Bethnal Green (Central Line)
- Train - Cambridge Heath
- Bus - D3 & 309
- Car - On street pay and display parking (unrestricted at weekends)
The Acme Project Space provides an opportunity for those artists who are part of our Residency & Awards Programme and our International Residencies Programme with a public space within which to develop projects, show new work and engage in a critical dialogue with a wider audience.
The programme of projects and exhibitions is developed in collaboration with those individual artists, who have already been through a selection process and aims to highlight the benefit artists gain from this support. The Acme Project Space therefore, is not currently able to accept unsolicited exhibition proposals from other artists.
Access and facilities
There is level and ramped access throughout the Acme Project Space. All printed material is available in a range of formats, please contact firstname.lastname@example.org or 020 8981 6811 for further information. There are no public toilet facilities on site.
George Charman & Adam Knight
‘The Tiny Lag’ 28.11.2014 - 21.12.2014
Thursday to Sunday 1pm to 6pm
Private View: Thursday 27 November, 6pm to 8pm
The exhibition title is taken from an essay of the same name by Mladen Dolar. In his essay The Tiny Lag, taking cue from Wittgenstein; Dolar examines the borders of language on experience. In this instance the border becomes a conceptual marker for both limitation and permission.
Using the unique configuration of the Project Space; George Charman and Adam Knight will show a series of recent work that engages with ‘the screen’ as a kind of border. The screen is used to divide the exhibition and audience in a number of ways through: the physical, the aural and the collaborative.
Central to the exhibition is the split channel audio work. In the lead up to the exhibition Charman and Knight became interested in the formats of correspondence as a necessary means of organisation but also as motif to strengthen relationships between works. Both artists followed YouTube instructional tutorials based upon the child's puzzle game The Rubiks Snake. The tutorials were often accompanied by YouTubers’ non-sensical verbal descriptions. Disparate pops, hisses and clicks are direct recordings of attempts to duplicate the tutorial; and then the subsequent attempt to instruct the other. The resulting soundtrack is played through re-configured speakers that distill the modular geometric form of the Rubik Snake.
‘Breathless’ 3.10.2014 - 19.10.2014
Thursday to Sunday 1pm to 6pm
Private View: Thursday 2 October, 6pm to 9pm. Live ventriloquism performed by the artist at 7pm & 8pm at the Private View
Sarah Duffy, the current recipient of the inaugural Goldsmiths MFA Studio Award, presents her first solo show at the Acme Project Space. The exhibition features a series of Duffy’s recent works across text, sculpture, video and performance.
Key to Duffy’s current practice is a fascination with the art of ventriloquism, particularly with ventriloquism’s beginnings away from its modern incarnation as a variety act that makes use of a dummy. Instead, Duffy is concerned with the practice of belly speaking, or speaking without movement of the lips, which extends far back throughout various religions and spiritual practices, chronicling the complex relationship humans have had with the voice over time.
Woman were particularly associated with the practice at its beginnings. Like The Pythia, The Oracle of Delphi, many women who were engaged in spiritual and necromantic practices utilised illusion, cunning and trickery alongside the practice of belly speaking. Their bodies were seen as supernatural vessels, a view that obscured the fact that these women were employing their beings as powerful performative instruments, capable of manipulating those around them. However, this history of female cunning is not without tragedy, ambiguity and horror; starlet ventriloquist of her day and likely epileptic, Elizabeth Barton, ended up with her head on a spike after she tried to use her powers of prophesy and ventriloquial utterances to prevent the marriage of Henry Viii and Anne Boleyn.
Fascinated with the history of these lauded and yet often vilified female performative figures, Duffy set out a year ago to learn this discipline for herself. In particular it was her goal to learn how to sing the song 'I wanna be loved by you' without moving her lips, made famous by Marilyn Monroe. Duffy saw that Monroe had something in common with these female ventriloquists; she was electric and wild, a master of her body, but also somehow vulnerable and subject to the gaze of others. She was at once a puppet and a puppeteer. Duffy will perform Monroe's famous song twice at the private view. This work will be shown alongside other video and sculptural pieces that further probe the connections between Marilyn and the art of ventriloquism.
The Goldsmiths MFA Studio Award is a partnership funded by Jane Hamlyn, Acme Studios and ISA Charity and is one of Acme’s growing number of studio awards managed under its Residency & Awards Programme, aimed specifically at recent graduates. These awards have been carefully developed with Acme’s partners to provide a valuable and effective bridge between college and professional practice. Each award provides a rent-free studio for 12 months plus a stipend, and in addition mentoring and exhibiting opportunities.
- Sarah Duffy — “Breathless” (3 Oct 2014)
- Marianna Simnett — “Marianna Simnett” (5 Sep 2014)
- Matthew Hunt — “Dirty Pools” (29 Aug 2014)
- Kate McMillan — “The Potter's Field” (4 Jul 2014)
- Clare Price — “I Killed a Viper” (6 Jun 2014)
- Sarah Duffy and Maaike Anne Stevens — “DELVE” (9 May 2014)
- Maaike Anne Stevens — “Black Sea” (21 Mar 2014)
- Sophie Jodoin — “how permanent is permanent” (20 Feb 2014)
- Virginia Bradley — “Jeopardy” (5 Dec 2013)
- Various — “Postcard From My Studio” (4 Oct 2013)
- Ninna Bohn Pedersen — “Perforations” (19 Sep 2013)
- Rhonda Weppler and Trevor Mahovsky — “Rhonda Weppler and Trevor Mahovsky” (1 Aug 2013)
- Mathieu Beauséjour — “To Be Governed” (12 Jul 2013)
- Ben Cove — “Vernacular Hangover” (7 Jun 2013)
- Ninna Bohn Pedersen, Rafał Zajko and guests — “Adjacent Practice Colliding Daily” (8 May 2013)
- Peter Burgess — “Bryant and May . . . and” (28 Mar 2013)
- Tiffany Parbs and Greg Fullerton — “Gloss” (14 Feb 2013)
- Craig Leonard — “Finesse” (7 Feb 2013)
- Roger Kite — “Pathways” (17 Nov 2012)
- Joss Cole — “What's Outside the Window?” (25 Oct 2012)
- Luke McCreadie — “Blob-content” (5 Oct 2012)
- Kate Atkin — “Like A Stone” (6 Sep 2012)
- Anna Moderato — “In Use” (22 Jun 2012)
- George Charman — “Once Again And Always New” (5 May 2012)
- Vishwa Shroff — “One eye! Two eyes! Three eyes!” (1 Mar 2012)
- Helen Johnson — “Dead Metaphor” (26 Jan 2012)
- Andro Semeiko — “Lily of Blythenhale” (11 Nov 2011)
- Rose Davey and Sarah Poots — “Rose Davey and Sarah Poots” (8 Oct 2011)
- Hagen Betzweiser & Sue Corke — “101 Harmless Scientific Experiments To Try At Home” (11 Aug 2011)
- Tom Polo — “Disappointed with many people and things” (7 Jul 2011)
- Briony Anderson / Paul McGee, George Charman, Amy Gee, Adam Knight, Haroon Mirza, Emma Smith, K. Yoland — “Sum Parts” (10 Jun 2011)
- Nedregard & Hillary — “Entrances” (6 May 2011)
- Jan Hendrickse — “Transient” (31 Mar 2011)
- Chantal Faust and Paul Knight — “I'll sit slightly behind you” (3 Mar 2011)
- Gemma Anderson — “Portraits: Patients and Psychiatrists” (12 Nov 2010)
- Stephanie Kingston — “Sydney Road” (7 Oct 2010)
- Janne Malmros — “Black-veined White” (3 Sep 2010)
- David Blandy, Harold Offeh and Jan Hendrickse — “Contort Yourself” (4 Jun 2010)
- Michelle Ussher — “An Elaborate Fiction” (21 May 2010)
- Christian Quesnel — “Hearts of Clay (Coeurs d'Argile)” (4 Dec 2009)
- Margarida Gouveia, Tina Isabella Hild & Martin Karlsson — “Chance Meeting on a Drawing Table of a Zebra and a Meteorite” (2 Oct 2009)
- Revati Mann — “Re :ri: rm: hm: ha: h:i ho: hum:” (11 Sep 2009)
- Howard Dyke — “Dance of the Techno Polar Bear” (5 Jun 2009)